Archive for William Bendix
Now Showing :: May, 1951
Posted in 1950-1959, Movie Ads, Now Showing with tags Born Yesterday, Broderick Crawford, Gloria Grahame, Humphrey Bogart, In a Lonely Place, Johnny Holiday, Judy Holliday, Rober Cummings, Rosalind Russell, Tell it to the Judge, William Bendix, William Holden on December 13, 2017 by WB KelsoKillers on a Furlough from Hell! Trigger Happy Teen-Age Hoodlums Living for Kicks! (April, 1956)
Posted in 1950-1959, Movie Ads with tags Aaron Spelling, Arthur Kennedy, Cathy O'Donnell, Collier Young, Crime, Filmakers Releasing Orginazation, Frank Lovejoy, Gene Evans, Gloria Talbott, Hal E. Chester, Harry Essex, Irving H. Levin, Joe Turkel, Juvenile Delinquents, Karen Sharpe, Keefe Brasselle, Marshall Thompson, Prison Break, Revenge, Standard Productions, Thriller, William Bendix, William Talman on July 1, 2013 by WB Kelso
Crashout (1955) Standard Productions :: Filmakers Releasing Orginazation / EP: Irving H. Levin / P: Hal E. Chester / D: Lewis R. Foster / W: Hal E. Chester, Lewis R. Foster, Cy Endfield / C: Russell Metty / E: Robert Swink / M: Leith Stevens / S: William Bendix, Arthur Kennedy, Gene Evans, William Talman, Marshall Thompson, Gloria Talbott
Mad at the World (1955) Filmakers Releasing Orginazation / P: Collier Young / AP: James H. Anderson / D: Harry Essex / W: Harry Essex / C: William E. Snyder / E: Stanford Tischler / M: Leith Stevens / S: Frank Lovejoy, Keefe Brasselle, Cathy O’Donnell, Karen Sharpe, Joe Turkel, Aaron Spelling
For the Love of Film Noir :: Too Dangerous to Touch! (October, 1947)
Posted in 1940-1949, Movie Ads with tags Andy Devine, Crime, Edmond O'Brien, Ella Raines, Film Noir, For the Love of Film Noir, Fritz Leiber, Howard Welsch, Jack Lambert, Jerry Bresler, Jon Hall, Margaret Lindsay, Maria Palmer, Michael Gordon, Paula Drew, Ray Taylor, The Vigilantes Return, The Web, Thriller, Universal International, Universal Pictures, Vincent Price, Westerns, William Bendix on March 31, 2013 by WB Kelso
This post is part of my rehash and continuation of the For the Love of Film Noir Blogathon originally held back in February of 2011. Thus and so, we will be heading down the rain-soaked streets and neon-drenched back alleys of Noirville again for the entire month of March. And along with all the old material migrating over from the old site, we’ll also be scattering around a lot of new stuff as well. Also of note, we’ll be posting them in chronological order to show how the genre evolved and progressed from the 1940′s through the late ’50s. And as an added bonus, I’ll be posting some vintage adverts to stuff I’ve always associated with the genre — cigarettes, booze and fashionable ladies.
The Web (1947) Universal International Pictures :: Universal Pictures / P: Jerry Bresler / D: Michael Gordon / W: William Bowers, Bertram Millhauser, Harry Kurnitz / C: Irving Glassberg / E: Russell F. Schoengarth / M: Hans J. Salter / S: Ella Raines, Edmond O’Brien, Vincent Price, William Bendix, Maria Palmer, Fritz Leiber
The Vigilantes Return (1947) Universal Pictures / P: Howard Welsch / D: Ray Taylor / W: Roy Chanslor / C: Virgil Miller / E: Paul Landres / M: Frank Skinner / S: Jon Hall, Margaret Lindsay, Andy Devine, Paula Drew, Jack Lambert
For the Love of Film Noir :: Save Your Lipstick, Girls. This Guy Plays for Keeps! (June, 1946)
Posted in 1940-1949, Movie Ads with tags 20th Century Fox, 4th of July, Cathy Downs, Clifton Webb, Crime, Film Noir, For the Love of Film Noir, Fred Kohlmar, Henry Hathaway, Kurt Kreuger, Lucille Ball, Mark Stevens, Riverboat Rhythm, Romance, The Dark Corner, Thriller, William Bendix on March 26, 2013 by WB Kelso
This post is part of my rehash and continuation of the For the Love of Film Noir Blogathon originally held back in February of 2011. Thus and so, we will be heading down the rain-soaked streets and neon-drenched back alleys of Noirville again for the entire month of March. And along with all the old material migrating over from the old site, we’ll also be scattering around a lot of new stuff as well. Also of note, we’ll be posting them in chronological order to show how the genre evolved and progressed from the 1940′s through the late ’50s. And as an added bonus, I’ll be posting some vintage adverts to stuff I’ve always associated with the genre — cigarettes, booze and fashionable ladies.
The Dark Corner (1946) Twentieth Century Fox Film Corporation / P: Fred Kohlmar / D: Henry Hathaway / W: Jay Dratler, Bernard C. Schoenfeld, Leo Rosten / C: Joseph MacDonald / E: J. Watson Webb / M: Cyril J. Mockridge / S: Mark Stevens, Lucille Ball, Clifton Webb, William Bendix, Kurt Kreuger, Cathy Downs
For the Love of Film Noir :: Dead or Alive, Dames are Double-Trouble for Him! (June, 1946)
Posted in 1940-1949, Movie Ads with tags Alan Ladd, Doris Dowling, Film Noir, For the Love of Film Noir, George Marshall, Howard Da Silva, Hugh Beaumont, John Houseman, Mystery, Paramount Pictures, Raymond Chandler, Romance, The Blue Dahlia, Thriller, Veronica Lake, William Bendix on March 26, 2013 by WB Kelso
When a service man returns home to find his wife knockin’ tongues with another man, it wasn’t exactly the homecoming he’d hoped for. And when it’s revealed that her drunken carelessness resulted in the death of their infant son, a person could understand if he was more than a little upset with her. Of course, if she were to suddenly turn up dead, that’d make him the prime suspect in her murder. Which she does. And he is. Which is why he’s soon on the run from the law, aided and abetted by the ex of the nightclub owner that was schtuping his wife. E’yup: all of that bourbon-fueled Chandler intrigue, with a whack-a-doodle William Bendix chaser, makes this one go down smooth.
This post is part of my rehash and continuation of the For the Love of Film Noir Blogathon originally held back in February of 2011. Thus and so, we will be heading down the rain-soaked streets and neon-drenched back alleys of Noirville again for the entire month of March. And along with all the old material migrating over from the old site, we’ll also be scattering around a lot of new stuff as well. Also of note, we’ll be posting them in chronological order to show how the genre evolved and progressed from the 1940′s through the late ’50s. And as an added bonus, I’ll be posting some vintage adverts to stuff I’ve always associated with the genre — cigarettes, booze and fashionable ladies.
The Blue Dahlia (1946) Paramount Pictures / P: John Houseman / AP: George Marshall / D: George Marshall / W: Raymond Chandler / C: Lionel Lindon / E: Arthur Schmidt / M: Victor Young / S: Alan Ladd, Veronica Lake, Doris Dowling, Hugh Beaumont, Howard Da Silva, William Bendix
For the Love of Film Noir :: The Thin Man’s Older Brother vs. Little Miss Dynamite! (November, 1942)
Posted in 1940-1949, Movie Ads with tags Alan Ladd, Bonita Granville, Brian Donlevy, Buddy G. DeSylva, Crime, Dashiell Hammett, Film Noir, For the Love of Film Noir, Fred Kohlmar, Margaret Hayes, Paramount Pictures, Richard Denning, Stuart Heisler, The Glass Key, Thriller, Veronica Lake, William Bendix on March 10, 2013 by WB Kelso
This post is part of my rehash and continuation of the For the Love of Film Noir Blogathon originally held back in February of 2011. Thus and so, we will be heading down the rain-soaked streets and neon-drenched back alleys of Noirville again for the entire month of March. And along with all the old material migrating over from the old site, we’ll also be scattering around a lot of new stuff as well. Also of note, we’ll be posting them in chronological order to show how the genre evolved and progressed from the 1940′s through the late ’50s. And as an added bonus, I’ll be posting some vintage adverts to stuff I’ve always associated with the genre — cigarettes, booze and fashionable ladies.
The Glass Key (1942) Paramount Pictures / EP: Buddy G. DeSylva / P: Fred Kohlmar / D: Stuart Heisler / W: Jonathan Latimer, Dashiell Hammett (novel) / C: Theodor Sparkuhl / E: Archie Marshek / M: Victor Young / S: Brian Donlevy, Alan Ladd, Veronica Lake, Bonita Granville, Richard Denning, William Bendix, Margaret Hayes
When These Two Meet the Sky’s the Limit for Split-Second Adventure! (June, 1958)
Posted in 1950-1959, Movie Ads with tags Alan Ladd, Bombers B-52, Drive In, Karl Malden, Macdonald Carey, Mona Freeman, Natalie Wood, Not of This Earth, Randolph Scott, Robert Preston, Shoot Out at Medicine Bend, Streets of Laredo, War / Combat, Westerns, Whispering Smith, William Bendix, William Holden on June 17, 2012 by WB KelsoFor the Love of Hitchcock :: At the Mercy of the Sea — And Each Other! (April, 1944)
Posted in 1940-1949, Movie Ads with tags Alfred Hitchcock, Disaster, Drama, For the Love of Hitchcock, Henry Hull, Hume Cronyn, John Hodiak, Lifeboat, Mary Anderson, Tallulah Bankhead, Why We Fight, William Bendix on May 18, 2012 by WB Kelso
“Dying together’s even more personal than living together.”
And in the great Hitchcock tradition, a cameo appearance by my thumb.
This post is part of the For the Love of Film Blogathon, a new age telethon to raise funds for The National Film Preservation Foundation to help bring The White Shadow (a/k/a White Shadows), an early silent film that a certain master of suspense did just about everything for except direct — assistant director, screenwriter, film editor, production designer, art director, and set decorator, to the streaming masses and help defray the costs of adding a new musical soundtrack.
There’s no donation too small, folks. So please, click on the link above, wherever you see it this week and give what you can. Thanks. For more information, check out the group’s Facebook page. Big thanks, as always, to Ferdy on Film, The Self-Styled Siren and This Island Rod for throwing such a wide net for contributors. Until tomorrow, then, I bid you all a good ev-ah-ning.
I’m participating. Are you?
Life Boat (1944) Twentieth Century Fox Film Corporation / EP: Darryl F. Zanuck, William Goetz / P: Alfred Hitchcock, Kenneth Macgowan / D: Alfred Hitchcock / W: John Steinbeck, Jo Swerling / C: Glen MacWilliams, Arthur C. Miller / E: Dorothy Spencer / M: Hugo Friedhofer / S: Tallulah Bankhead, John Hodiak, Walter Slezak, Mary Anderson, William Bendix, Canada Lee, Henry Hull, Hume Cronyn, Heather Angel,