This post is part of my rehash and continuation of the For the Love of Film Noir Blogathon originally held back in February of 2011. Thus and so, we will be heading down the rain-soaked streets and neon-drenched back alleys of Noirville again for the entire month of March. And along with all the old material migrating over from the old site, we’ll also be scattering around a lot of new stuff as well. Also of note, we’ll be posting them in chronological order to show how the genre evolved and progressed from the 1940′s through the late ’50s. And as an added bonus, I’ll be posting some vintage adverts to stuff I’ve always associated with the genre — cigarettes, booze and fashionable ladies.
The Glass Key (1942) Paramount Pictures / EP: Buddy G. DeSylva / P: Fred Kohlmar / D: Stuart Heisler / W: Jonathan Latimer, Dashiell Hammett (novel) / C: Theodor Sparkuhl / E: Archie Marshek / M: Victor Young / S: Brian Donlevy, Alan Ladd, Veronica Lake, Bonita Granville, Richard Denning, William Bendix, Margaret Hayes
Scenes from the Morgue 
Assault or Murder? A Story as Daring as the Screen Can Be! (April, 1951)
Posted in 1950-1959, Movie Ads with tags Crime, Doris Day, Film Noir, Ginger Rogers, Hugh Sanders, Jerry Wald, Melodrama, Ronald Reagan, Social Commentary, Steve Cochran, Storm Warning, Stuart Heisler, Warner Bros. on June 15, 2014 by WB KelsoOther Points of Interest:
Film review of Storm Warning at the Brewery.
Storm Warning (1951) Warner Bros. / P: Jerry Wald / D: Stuart Heisler / W: Daniel Fuchs, Richard Brooks / C: Carl Guthrie / E: Clarence Kolster / M: Daniele Amfitheatrof / S: Ginger Rogers, Ronald Reagan, Doris Day, Steve Cochran, Hugh Sanders
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