Archive for Sidney W. Pink

Happy Hallowe’en :: The Most Terrifying Screen Experience of Your Life! (October, 1970)

Posted in 1970-1979, Movie Ads with tags , , , , , , , , , , , , , , , , , , , , , on October 28, 2017 by WB Kelso


Burn, Witch, Burn (1962) Independent Artists :: American International Pictures / EP: Leslie Parkyn, Julian Wintle / P: Samuel Z. Arkoff, Albert Fennell / D: Sidney Hayers / W: Charles Beaumont, Richard Matheson, Fritz Leiber Jr. (novel) / C: Reginald H. Wyer / E: Ralph Sheldon / M: William Alwyn / S: Peter Wyngarde, Janet Blair, Margaret Johnston, Anthony Nicholls, Colin Gordon

Pyro… The Thing Without a Face (1964) Sidney W. Pink Productions :: American International Pictures / P: Richard C. Meyer, Sidney W. Pink / D: Julio Coll / W: Sidney W. Pink, Luis de los Arcos / C: Manuel Berenguer / E: Margarita de Ochoa / M: José Solá / S: Barry Sullivan, Martha Hyer, Sherry Moreland, Luis Prendes, Fernando Hilbeck


Entering the 3rd Dimension :: A Lion in Your Lap, a Lover in Your Arms! (May, 1953)

Posted in 1950-1959, Movie Ads with tags , , , , , , , , , , , on November 9, 2012 by WB Kelso











It was while on a stock-footage expedition to Kenya in 1948 that famed radio personality and burgeoning filmmaker Arch Oboler first became intrigued by J.H. Patterson’s novel, The Man-Eaters of Tsavo, which recounted the tale of two lions that wreaked havoc on a railway construction crew. Soon determined to turn this harrowing tale into a movie, it was Oboler’s cameraman on the same expedition, William Snyder, who suggested that, when he did, he should shoot it in a new process called Natural Vision; an improved technique in the rapidly evolving 3-D process. But when no studios showed interest in his pet project, Oboler set out to make it on his own, with the majority of the financing coming from star Robert Stack’s mother. And, using the stock-footage they’d already shot in Kenya to flesh it out, the majority of the film was shot on the Paramount ranch. And when it was finished, with fingers crossed, Bwana Devil was released, with a hope and a pair of tinted glasses that a curious audience would come and see.

It was famed film exploitationeer Sidney Pink (of Reptilicus and The Angry Red Planet infamy), who had earlier salvaged Oboler’s post-apocalyptic flick Five, that coined A Lion in Your Lap … A Lover in Your Arms… for the ad campaign. It worked beautifully, and after United Artists saw how much money Bwana Devil was raking in, despite an almost universal critical drubbing, took over the distribution. And, when the receipts kept on rolling, Bwana Devil triggered an avalanche of other 3-D films over the next couple of years to cash in.

Bwana Devil (1952) Gulu Productions :: United Artists / P: Arch Oboler / AP: Sidney W. Pink / D: Arch Oboler / W: Arch Oboler / C: Joseph F. Biroc / E: John Hoffman / M: Gordon Jenkins / S: Robert Stack, Barbara Britton, Nigel Bruce, Ramsay Hill