This post is part of my rehash and continuation of the For the Love of Film Noir Blogathon originally held back in February of 2011. Thus and so, we will be heading down the rain-soaked streets and neon-drenched back alleys of Noirville again for the entire month of March. And along with all the old material migrating over from the old site, we’ll also be scattering around a lot of new stuff as well. Also of note, we’ll be posting them in chronological order to show how the genre evolved and progressed from the 1940′s through the late ’50s. And as an added bonus, I’ll be posting some vintage adverts to stuff I’ve always associated with the genre — cigarettes, booze and fashionable ladies.
Detour (1945) Producers Releasing Corporation (PRC) / P: Leon Fromkess / AP: Martin Mooney / D: Edgar G. Ulmer / W: Martin Goldsmith / C: Benjamin H. Kline / E: George McGuire / M: Leo Erdody / S: Tom Neal, Ann Savage, Claudia Drake, Edmund MacDonald
A Double-Jolt of Excitement! (November, 1963)
Posted in 1960-1969, Movie Ads with tags Adults Only, Alien Invaders, Allied Artists, Constance Towers, Creature Feature, Day of the Triffids, F & F Productions, Gene Evans, George Pitcher, Gone Psycho, Hari Rhodes, Howard Keel, James Best, Janette Scott, Janina Faye, Kieron Moore, Leon Fromkess, Medical Exploitation, Nicole Maurey, Peter Breck, Philip Yordan, Sam Firks, Samuel Fuller, Sci-Fi, Shock Corridor, Social Commentary, Steve Sekely, Thriller on July 26, 2013 by WB KelsoShock Corridor (1963) F & F Productions :: Allied Artists / EP: Sam Firks, Leon Fromkess / P: Samuel Fuller / D: Samuel Fuller / W: Samuel Fuller / C: Stanley Cortez / E: Jerome Thoms / M: Paul Dunlap / S: Peter Breck, Constance Towers, Gene Evans, James Best, Hari Rhodes
Day of the Triffids (1962) Security Pictures Ltd. Production :: Allied Artists / EP: Philip Yordan / P: George Pitcher / D: Steve Sekely / W: Bernard Gordon, John Wyndham (novel) / C: Ted Moore / E: Bill Lewthwaite / M: Ron Goodwin / S: Howard Keel, Nicole Maurey, Janina Faye, Janette Scott, Kieron Moore
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