Archive for Grace Kelly

Random Drive-In Mash-Up :: July, 1956

Posted in 1950-1959, Movie Ads with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on January 10, 2013 by WB Kelso

 

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Other Points of Interest:

Full film review of It Came from Beneath the Sea at 3B Theater.

Poster campaign for It Came from Beneath the Sea at the Archive.

Random Drive-In Mash-Up :: July, 1956

Posted in 1950-1959, Movie Ads with tags , , , , , , , , , , , , , , , , , , , , on August 22, 2012 by WB Kelso

 

 

For the Love of Hitchcock :: “…Is That You, Darling?” (June, 1954)

Posted in 1950-1959, Movie Ads with tags , , , , , , , on May 16, 2012 by WB Kelso

 

“Do you really believe in the perfect murder?”

“Yes, absolutely. On paper, that is. And I think I could plan
one better than most people; but I doubt if I could carry it out.”

“Oh? Why not?”

“Well, because in stories things usually turn out the way
the author wants them to; and in real life they always don’t…”

 

 

 

 

 

 
This post is part of the For the Love of Film Blogathon, a new age telethon to raise funds for The National Film Preservation Foundation to help bring The White Shadow (a/k/a White Shadows), an early silent film that a certain master of suspense did just about everything for except direct — assistant director, screenwriter, film editor, production designer, art director, and set decorator, to the streaming masses and help defray the costs of adding a new musical soundtrack.
 

 
There’s no donation too small, folks. So please, click on the link above, wherever you see it this week and give what you can. Thanks. For more information, check out the group’s Facebook page. Big thanks, as always, to Ferdy on Film, The Self-Styled Siren and This Island Rod for throwing such a wide net for contributors. Until tomorrow, then, I bid you all a good ev-ah-ning.
 

I’m participating. Are you?

 
Dial M for Murder (1954) First National Pictures :: Warner Bros. / P: Alfred Hitchcock / D: Alfred Hitchcock / W: Frederick Knott / C: Robert Burks / E: Rudi Fehr / M: Dimitri Tiomkin / S: Ray Milland, Grace Kelly, Robert Cummings, John Williams, Anthony Dawson

For the Love of Hitchcock :: Drive-In Mash-Up :: The Master Story Teller Gives You Furious Action — Sparkling Comedy — Chilling Suspense! (October, 1959)

Posted in 1950-1959, Movie Ads with tags , , , , , , , , , , , , on May 14, 2012 by WB Kelso

 

 

 

 

 
This post is part of the For the Love of Film Blogathon, a new age telethon to raise funds for The National Film Preservation Foundation to help bring The White Shadow (a/k/a White Shadows), an early silent film that a certain master of suspense did just about everything for except direct — assistant director, screenwriter, film editor, production designer, art director, and set decorator, to the streaming masses and help defray the costs of adding a new musical soundtrack.
 

 
There’s no donation too small, folks. So please, click on the link above, wherever you see it this week and give what you can. Thanks. For more information, check out the group’s Facebook page. Big thanks, as always, to Ferdy on Film, The Self-Styled Siren and This Island Rod for throwing such a wide net for contributors. Until tomorrow, then, I bid you all a good ev-ah-ning.
 

I’m participating. Are you?

 

For the Love of Hitchcock :: Breathlessly, You’ll Be Swept into Terrifying Adventure … You Won’t Be Able to Tear Your Eyes Away (October, 1954)

Posted in 1950-1959, Movie Ads with tags , , , , , , , , , on May 13, 2012 by WB Kelso

 
“Lars Thorwald is no more a murderer than I am.”

“You mean that you can explain everything strange that
has been going on over there, and is still going on?”

“No, and neither can you. That’s a secret private world
your looking into out there. People do a lot of things in
private they couldn’t possibly explain in public…”

“…Like killing their wives?”

 

 

 

 

 

 

 

 
This post is part of the For the Love of Film Blogathon, a new age telethon to raise funds for The National Film Preservation Foundation to help bring The White Shadow (a/k/a White Shadows), an early silent film that a certain master of suspense did just about everything for except direct — assistant director, screenwriter, film editor, production designer, art director, and set decorator, to the streaming masses and help defray the costs of adding a new musical soundtrack.
 

 
There’s no donation too small, folks. So please, click on the link above, wherever you see it this week and give what you can. Thanks. For more information, check out the group’s Facebook page. Big thanks, as always, to Ferdy on Film, The Self-Styled Siren and This Island Rod for throwing such a wide net for contributors. Until tomorrow, then, I bid you all a good ev-ah-ning.
 

 I’m participating. Are you?

 
Rear Window (1954) Patron Inc. :: Paramount Pictures / P: Alfred Hitchcock / D: Alfred Hitchcock / W: John Michael Hayes, Cornell Woolrich (shorty story) / C: Robert Burks / E: George Tomasini / M: Franz Waxman / S: James Stewart, Grace Kelly, Thelma Ritter, Wendell Corey, Raymond Burr