This post is part of my rehash and continuation of the For the Love of Film Noir Blogathon originally held back in February of 2011. Thus and so, we will be heading down the rain-soaked streets and neon-drenched back alleys of Noirville again for the entire month of March. And along with all the old material migrating over from the old site, we’ll also be scattering around a lot of new stuff as well. Also of note, we’ll be posting them in chronological order to show how the genre evolved and progressed from the 1940′s through the late ’50s. And as an added bonus, I’ll be posting some vintage adverts to stuff I’ve always associated with the genre — cigarettes, booze and fashionable ladies.
Boomerang (1947) Twentieth Century Fox Film Corporation / EP: Darryl F. Zanuck / P: Louis De Rochemont / D: Elia Kazan / W: Richard Murphy, Fulton Oursler / C: Norbert Brodine / E: Harmon Jones / M: David Buttolph / S: Dana Andrews, Jane Wyatt, Lee J. Cobb, Cara Williams, Arthur Kennedy, Sam Levene, Ed Begley
Scenes from the Morgue 
Drive-In Mash-Up :: Of Fame, Fortune, and Broken Bones… (September, 1972)
Posted in 1970-1979, Movie Ads with tags Action, Billy Jack, Bio-Pic, Born Losers, Christopher George, Diane Varsi, Drive In, Ed Begley, Evel Knievel, George Hamilton, Hal Holbrook, Jeremy Slate, Narcotics, Outlaw Bikers, Shelley Winters, Social Commentary, Sue Lyon, Tom Laughlin, Wild in the Streets on August 10, 2013 by WB KelsoSome double features are born to be. Some double features are meant to be. And some double features just crash into each other.
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