



After inspiring the screenplay for James Cagney’s White Heat (1949), for her next project, screenwriter Virginia Kellogg clandestinely arranged for herself to be incarcerated for a spell to help expose the true dirt on life inside a women’s penitentiary, which served as a blueprint for our feature, Caged, ushering in the era of Women in Prison flicks that we all know and love today.
Caged (1950) Warner Bros. / P: Jerry Wald / D: John Cromwell / W: Virginia Kellogg, Bernard Schoenfeld / C: Carl Guthrie / E: Owen Marks / M: Max Steiner / S: Eleanor Parker, Hope Emerson, Agnes Moorehead, Ellen Corby, Jan Sterling, Betty Garde
Part Good When They Go In, All Bad When the Come Out! (September, 1950)
Posted in 1950-1959, Movie Ads with tags Agnes Moorehead, Betty Garde, Caged, Crime, Eleanor Parker, Ellen Corby, Film Noir, Hope Emerson, Jan Sterling, Jerry Wald, John Cromwell, Melodrama, Social Commentary, Virginia Kellogg, Warner Bros., Women in Prison on August 20, 2013 by WB KelsoAfter inspiring the screenplay for James Cagney’s White Heat (1949), for her next project, screenwriter Virginia Kellogg clandestinely arranged for herself to be incarcerated for a spell to help expose the true dirt on life inside a women’s penitentiary, which served as a blueprint for our feature, Caged, ushering in the era of Women in Prison flicks that we all know and love today.
Caged (1950) Warner Bros. / P: Jerry Wald / D: John Cromwell / W: Virginia Kellogg, Bernard Schoenfeld / C: Carl Guthrie / E: Owen Marks / M: Max Steiner / S: Eleanor Parker, Hope Emerson, Agnes Moorehead, Ellen Corby, Jan Sterling, Betty Garde
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