Traveling Saleslady (1935) The Vitaphone Corp. :: A First National Pictures :: Warner Bros. / P: Samuel Bischoff / D: Ray Enright / W: F. Hugh Herbert, Manuel Seff, Benny Rubin, Frank Howard Clark / C: George Barnes / E: Owen Marks / M: Bernhard Kaun / S: Joan Blondell, Glenda Farrell, William Gargan, Hugh Herbert, Grant Mitchell, Ruth Donnelly
The Woman in Red (1935) A First National Pictures :: Warner Bros. / P: Robert Florey / D: Robert Florey / W: Mary C. McCall Jr., Peter Milne, Wallace Irwin (novel) / C: Sol Polito / E: Terry O. Morse / M: Bernhard Kaun / S: Barbara Stanwyck, Gene Raymond, Genevieve Tobin, John Eldredge, Dorothy Tree
The Conquering Horde (1931) Paramount Pictures / D: Edward Sloman / W: Grover Jones, William Slavens McNutt, Emerson Hough (novel) / C: Archie Stout / E: Otho Lovering / M: Sigmund Krumgold / S: Richard Arlen, Fay Wray, Claude Gillingwater, Ian Maclaren, Frank Rice
Ten Cents a Dance (1931) Columbia Pictures Corporation / P: Harry Cohn, Frank Fouce / D: Lionel Barrymore / W: Dorothy Howell, Jo Swerling / C: Ernest Haller, Gilbert Warrenton / E: Arthur Huffsmith / M: Mischa Bakaleinikoff / S: Barbara Stanwyck, Ricardo Cortez, Monroe Owsley, Sally Blane, Blanche Friderici
This post is part of my rehash and continuation of the For the Love of Film Noir Blogathon originally held back in February of 2011. Thus and so, we will be heading down the rain-soaked streets and neon-drenched back alleys of Noirville again for the entire month of March. And along with all the old material migrating over from the old site, we’ll also be scattering around a lot of new stuff as well. Also of note, we’ll be posting them in chronological order to show how the genre evolved and progressed from the 1940′s through the late ’50s. And as an added bonus, I’ll be posting some vintage adverts to stuff I’ve always associated with the genre — cigarettes, booze and fashionable ladies.
The Two Mrs. Carrolls (1947) First National Pictures :: Warner Bros. / EP: Jack L. Warner / P: Mark Hellinger / D: Peter Godfrey / W: Thomas Job, Martin Vale (play) / C: J. Peverell Marley / E: Frederick Richards / M: Franz Waxman / S: Humphrey Bogart, Barbara Stanwyck, Alexis Smith, Nigel Bruce, Isobel Elsom, Ann Carter
Yankee Fakir (1947) W. Lee Wilder Productions :: Republic Pictures / P: W. Lee Wilder / D: W. Lee Wilder / W: Mindret Lord, Richard S. Conway / C: Robert Pittack / E: Jodie Copelan / M: Alexander Laszlo / S: Douglas Fowley, Joan Woodbury, Clem Bevans, Frank Reicher, Marc Lawrence
This post is part of my rehash and continuation of the For the Love of Film Noir Blogathon originally held back in February of 2011. Thus and so, we will be heading down the rain-soaked streets and neon-drenched back alleys of Noirville again for the entire month of March. And along with all the old material migrating over from the old site, we’ll also be scattering around a lot of new stuff as well. Also of note, we’ll be posting them in chronological order to show how the genre evolved and progressed from the 1940′s through the late ’50s. And as an added bonus, I’ll be posting some vintage adverts to stuff I’ve always associated with the genre — cigarettes, booze and fashionable ladies.
The Strange Love of Martha Ivers (1946) Hal Wallis Productions :: Paramount Pictures / P: Hal B. Wallis / D: Lewis Milestone / W: Robert Rossen, John Patrick (novel) / C: Victor Milner / E: Archie Marshek / M: Miklós Rózsa / S: Barbara Stanwyck, Van Heflin, Lizabeth Scott, Kirk Douglas, Judith Anderson, Ann Doran
This post is part of my rehash and continuation of the For the Love of Film Noir Blogathon originally held back in February of 2011. Thus and so, we will be heading down the rain-soaked streets and neon-drenched back alleys of Noirville again for the entire month of March. And along with all the old material migrating over from the old site, we’ll also be scattering around a lot of new stuff as well. Also of note, we’ll be posting them in chronological order to show how the genre evolved and progressed from the 1940′s through the late ’50s. And as an added bonus, I’ll be posting some vintage adverts to stuff I’ve always associated with the genre — cigarettes, booze and fashionable ladies.
Double Indemnity (1944) Paramount Pictures / EP: Buddy G. DeSylva / P: Joseph Sistrom / D: Billy Wilder / W: Raymond Chandler, Billy Wilder, James M. Cain (novel) / C: John Seitz / E: Doane Harrison / M: Miklós Rózsa / S: Fred MacMurray, Barbara Stanwyck, Edward G. Robinson, Jean Heather, Tom Powers, Byron Barr
The Maze (1953) Allied Artists / EP: Walter Mirisch / P: Richard V. Heermance / D: William Cameron Menzies / W: Daniel B. Ullman, Maurice Sandoz (novel) / C: Harry Neumann / E: John C. Fuller / M: Marlin Skiles / S: Richard Carlson, Veronica Hurst, Katherine Emery, Michael Pate, Hillary Brooke, Lilian Bond
Jeopardy (1953) Metro-Goldwyn-Mayer (MGM) / EP: Charles Schnee / P: Sol Baer Fielding / D: John Sturges / W: Mel Dinelli, Maurice Zimm (novel) / C: Victor Milner / E: Newell P. Kimlin / M: Dimitri Tiomkin / S: Barbara Stanwyck, Barry Sullivan, Ralph Meeker, Lee Aaker, Paul Fierro
The Night Walker (1964) William Castle Productions :: Universal Pictures / P: William Castle / AP: Dona Holloway / D: William Castle / W: Robert Bloch / C: Harold E. Stine / E: Edwin H. Bryant / M: Vic Mizzy / S: Barbara Stanwyck, Robert Taylor, Judi Meredith, Hayden Rorke, Marjorie Bennett, Lloyd Bochner
When his latest gig goes up in smoke after losing his temper and brawling with several unruly audience members, our boy hits the open road in search of work. Luckily, he runs into a job at the local carnival — well, more like the job ran into him, when an overprotective father runs Charlie off the road for making the goo-goo on his daughter. Anyways, as Charlie tries his best to live up to the Carnie Code and win the girl, he soon becomes this one-lung operation’s last hope of turning things around as his romantic serenading starts drawing record crowds.
Video courtesy of MFFforever.
It was while filming Roustabout that the shit kind of hit the fan between producer Hal Wallis and the Presley camp for comments made about financing more high-brow fare like Becket with the prophets from these low-ballin’ Presley pictures. Roustabout was the third movie Wallis managed to coax out of Presley in 1964, making it the bottom piece of sandwich that also included Kissin’ Cousins and Viva Las Vegas. And, for the record, the big Hollywood Mystery Feature was Jerry Lewis’ The Disorderly Orderly.
Roustabout (1964) Hal Wallis Productions :: Paramount Pictures / EP: Joseph H. Hazen / P: Hal Wallis / AP: Paul Nathan / D: John Rich / W: Anthony Lawrence, Allan Weiss / C: Lucien Ballard / E: Warren Low / M: Joseph J. Lilley / S: Elvis Presley, Barbara Stanwyck, Joan Freeman, Leif Erickson, Pat Butrum, Norman Grabowski
While trolling around the Morgue of a small Micropolitan Newspaper, our boy efforts to unearth a few hidden Artifacts, Mementos, Eye-Candy and Matinee Double-Features and Dusk 'til Dawn Drive-In All Night Trash-O-Ramas on the genre films he loves from the days of yore.
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