Archive for Anita Ekberg

“The Funniest Comedian I Ever Ate” (July, 1963)

Posted in 1960-1969, Movie Ads with tags , , , , , , , , , , , , on January 17, 2017 by WB Kelso

 
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Call Me Bwana (1963) Danjaq :: Eon Productions :: United Artists / EP: Harry Saltzman / P: Albert R. Broccoli / AP: Stanley Sopel / D: Gordon Douglas / W: Nate Monaster, Johanna Harwood, Mort Lachman, Bill Larkin / C: Ted Moore / E: Peter R. Hunt / M: Muir Mathieson, Monty Norman / S: Bob Hope, Anita Ekberg, Edie Adams, Lionel Jeffries, Percy Herbert

Random Drive-In Mash-Up :: Bomb Shells, Sky Rockets, Fountains, Helicopters, the Duke, McQueen and Hope (July, 1964)

Posted in 1960-1969, Movie Ads with tags , , , , , , , , , , , , , , , , , , , , , , , on June 30, 2015 by WB Kelso

 
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Happy 4th July to all of you from Scenes from the Morgue.

Actually Filmed in the Dark Corners of Our ‘Civilized World’! (April, 1968)

Posted in 1960-1969, Movie Ads with tags , , , , , , , , , , , , , , , , , on August 30, 2013 by WB Kelso

 

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Sadismo (1967) Trans American Films :: American International / P: Salvatore Billitteri / D: Salvatore Billitteri / W: Philip Marx / E: Salvatore Billitteri, Fred R. Feitshans Jr. / M: Les Baxter, Al Simms / S: Terri Telli, Burt Topper

The Cobra (1967) Dollar Film :: Italian International Film :: Productores Exhibidores Films Sociedad Anónima :: American International / P: Fulvio Lucisano / D: Mario Sequi / W: Adriano Bolzoni, Gumersindo Mollo / C: Claudio Racca, Enrique Torán / E: Pedro del Rey / M: Antón García Abril / S: Dana Andrews, Anita Ekberg, Pietro Martellanza, Elisa Montés, Peter Dane

Random Drive-In Mash-Up :: A Triple Avalanche of the Living Dead! (October, 1973)

Posted in 1970-1979, Movie Ads with tags , , , , , , , , on October 18, 2012 by WB Kelso

 

 

 

 
A ghoulish triple feature for the ages? Maybe … A triple-dip of rehashed imports? Most definitely … First up is Elio Scardamaglia’s La lama nel corpo, originally released as The Murder Clinic in 1968. The second feature is a re-titled version of Operazione paura, which I think is probably Mario Bava’s most under-appreciated film, hamstrung out of the gate by its original, nonsensical domestic release title, Kill Baby, Kill. And lastly, we have Tombs of the Blind Dead guru Amando de Ossorio’s Malenka, ironically enough billed last, here, in its initial release (circa 1973), that, I think, is worth the chance of staying up just to get a glimpse of Anita Ekberg and Rosanna Yanni.