May you all still have all your fingers on toes come the 5th.
This post is part of my rehash and continuation of the For the Love of Film Noir Blogathon originally held back in February of 2011. Thus and so, we will be heading down the rain-soaked streets and neon-drenched back alleys of Noirville again for the entire month of March. And along with all the old material migrating over from the old site, we’ll also be scattering around a lot of new stuff as well. Also of note, we’ll be posting them in chronological order to show how the genre evolved and progressed from the 1940′s through the late ’50s. And as an added bonus, I’ll be posting some vintage adverts to stuff I’ve always associated with the genre — cigarettes, booze and fashionable ladies.
The Dark Corner (1946) Twentieth Century Fox Film Corporation / P: Fred Kohlmar / D: Henry Hathaway / W: Jay Dratler, Bernard C. Schoenfeld, Leo Rosten / C: Joseph MacDonald / E: J. Watson Webb / M: Cyril J. Mockridge / S: Mark Stevens, Lucille Ball, Clifton Webb, William Bendix, Kurt Kreuger, Cathy Downs
Scared Stiff (1953) Paramount Pictures / EP: Joseph H. Hazen / P: Hal B. Wallis / D: George Marshall / W: Herbert Baker, Walter DeLeon, Ed Simmons, Norman Lear, Paul Dickey (play), Charles W. Goddard (play) / C: Ernest Laszlo / E: Warren Low / M: Leith Stevens / S: Dean Martin, Jerry Lewis, Lizabeth Scott, Carmen Miranda, Dorothy Malone, Walter Ching