For the Love of Hitchcock :: All the More Exciting Because All its Shadowed Twists and Turns are True! (February, 1957)


“An innocent man has nothing to fear — remember that.”





This post is part of the For the Love of Film Blogathon, a new age telethon to raise funds for The National Film Preservation Foundation to help bring The White Shadow (a/k/a White Shadows), an early silent film that a certain master of suspense did just about everything for except direct — assistant director, screenwriter, film editor, production designer, art director, and set decorator, to the streaming masses and help defray the costs of adding a new musical soundtrack.

There’s no donation too small, folks. So please, click on the link above, wherever you see it this week and give what you can. Thanks. For more information, check out the group’s Facebook page. Big thanks, as always, to Ferdy on Film, The Self-Styled Siren and This Island Rod for throwing such a wide net for contributors. Until tomorrow, then, I bid you all a good ev-ah-ning.

I’m participating. Are you?

The Wrong Man (1956) Warner Bros. / P: Alfred Hitchcock / AP: Herbert Coleman / D: Alfred Hitchcock / W: Maxwell Anderson, Angus MacPhail / C: Robert Burks / E: George Tomasini / M: Bernard Herrmann / S: Henry Fonda, Vera Miles, Anthony Quayle, Harold J. Stone, Charles Cooper

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